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Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.
I wasn't looking for another marriage. I had been married before. He is a nice man - a geologist, an Ernest Hemingway type. But Paul and I married because of convention.
I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
Hemingway hated me. I sold 200 million books, and he didn't. Of course most of mine sold for 25 cents, but still... you look at all this stuff with a grain of salt.
It's rather splendid to think of all those great men and women who appear to have presented symptoms that allow us to describe them as bipolar. Whether it's Hemingway, Van Gogh... Robert Schumann has been mentioned... Virginia Woolf, Sylvia Plath... some of them with rather grim ends.
I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.
What other culture could have produced someone like Hemingway and not seen the joke?
Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
W. H. Auden
Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing.
Gabriel Garcia Marquez
From Ernest Hemingway's stories, I learned to listen within my stories for what went unsaid by my characters.
You're not going to make Hemingway better by adding animations.
Hemingway was a jerk.
I've never felt influenced by Ernest Hemingway though I suppose there is something inevitable there.
The fictionally correct have all the answers, and that's what's wrong with them. They're artistic technocrats. There's no dilemma so knotty, no question so baffling, that it can't be smoothly neutralized by dialing up the right attitude adjustment. Poor old Hemingway. If only he'd known.
After writing a page, Hemingway would let it float to the ground. He never crumpled pages - he believed that if you crumpled them, you'd be insane in a year.
As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.
I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.
I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.'
'The Sun Also Rises' by Ernest Hemingway is my favorite book. You feel manly reading it.
I want to read Keats and Wordsworth, Hemingway, George Orwell.
I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.
I remember having to read 'The Old Man and the Sea,' and I didn't want to read it; I didn't want to like Ernest Hemingway. I was being a stubborn teenager.
I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
I picked up reading late because I grew up dyslexic. When I went to college, a friend who was a big reader got me started on a number of writers, including Hemingway.
It would be hard to exaggerate Ernest Hemingway's influence over American literature, but his influence on our lives is probably larger still.
A. P. J. Abdul Kalam
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