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Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the 'Mind of God' is cosmic music resonating in 11-dimensional hyperspace.
I love power. But it is as an artist that I love it. I love it as a musician loves his violin, to draw out its sounds and chords and harmonies.
A hostility to modernity is shared by ideologies that have nothing else in common - a nostalgia for moral clarity, small-town intimacy, family values, primitive communism, ecological sustainability, communitarian solidarity, or harmonies with the rhythms of nature.
Living here on Earth, we breathe the rhythms of a universe that extends infinitely above us. When resonant harmonies arise between this vast outer cosmos and the inner human cosmos, poetry is born.
Straight-away the ideas flow in upon me, directly from God, and not only do I see distinct themes in my mind's eye, but they are clothed in the right forms, harmonies, and orchestration.
My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
Who doesn't love Enya? Whenever I'm in a trying time, she is the calm in the middle of the storm. If I put her on, I'll be in this crazy peaceful state. I love her style. And her harmonies are freaking genius.
I have an understanding of Queen and the way Freddie Mercury did his harmonies. I know what tablas sound like, because my father played a lot of Ustad Ali Akbar Khan.
I like to be surrounded by harmonies and fullness and richness and vitality.
I always thought if I had a band it would have the energy and feel of early Police, since that's where my roots are, and then the harmonies of the Eagles, and the technique of King Crimson or something like that. Fast, up-tempo, beat-the-hell-out-of-the-drums, because that's my style. Energy, but sophistication, rhythmically and melodically.
There's music to dance to and make love to, music to cry to. I'm starting from scratch, coming fresh. But my sound still embodies the same soulful, intricate harmonies.
I pay such close attention of the record making process that most people would assume are very little and wouldn't be that big of a deal; the packaging, the title, and the harmonies, I think, are arguably as important as the lead vocals.
I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.
A jazz musician is a juggler who uses harmonies instead of oranges.
I have been a harmony enthusiast since I was a child, singing in choir and with friends growing up. I always put a ton of harmonies on my demos.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
I was in a choir as a kid. It was from those early days that my outlook on harmonies and arrangements were nurtured. I always took that with me, even on the earliest Bad Religion record, which strangely was only about six years after that.
My brother Carl taught me how to play bass. I'm a self-taught keyboard player, though - I figured out our harmonies at the piano.
The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.
I used to think of George Michael as being mechanical, like a scientist in a white coat, working in a laboratory, creating perfect harmonies, and all the while I was secretly admiring him.
Harmonies are nice.
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
That's one of the things I like best about folk music is the beautiful melodies - and the harmonies - that exist in it. And of course, some of the stories, the story songs.
A. P. J. Abdul Kalam
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