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I've never missed a gig yet. Music makes people happy, and that's why I go on doing it - I like to see everybody smile.
I've never really been a confident person, except from a musical standpoint. I had to push myself early on, but it got easier with each gig.
Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
Stand-up is the kind of gig that'll show you where you're at.
I knew going in that being a single parent would be one of the toughest jobs I'd ever have. I'd been a talk-show host, actor, comic, and on and on, but this gig was going to be my defining moment.
I made my name and reputation DJing in hip-hop clubs in New York. 'Celebrity DJ' is a term that I hated. To me a celebrity DJ is someone that's on 'Big Brother' or in some kind of B-movie who gets a gig to DJ even though they're not talented enough to do it.
As a musician I'm about expressing what's inside, and I think everyone has a song in them that they need to get out, whatever their gig is.
After filming, I can't wait to shake off all that '50s primness. I'll go out to a gig and dance ridiculously. I love to lose myself in music. Just letting go - it's dead important.
I want to have a good time myself. I don't want to dread going to work no matter what the gig is. I think, selfishly, I will make sure that I have a good time; how about that?
When I do stand-up for a long time, I'll get burned out, then I'll get an acting gig. For me, the grass is always greener. I'd like to do a mixture of all of it. My goal is just to do small movies that I've written. That's what I'm trying to do now, just write smaller movies.
When I was about 12, I had my first paying gig - 8 dollars to play rhythm guitar in a polka band. Pretty soon, I ended up playing in all the bars within driving distance of Abbott, Texas.
When I was a reporter in Bristol, which I was between the years 1954 and 1960, the newspaper would get tickets for whoever showed up to play a gig at the big hall down the road, so I saw some wonderful people. The Everly Brothers, for example.
I use a Bruce Lee technique: 'The way of no way.' He had the idea that he would learn everything, so that whoever he had to fight, he could improvise anything. The best way of starting a gig is just to not think of anything - to clear your mind, not in an empty Zen state, but more just to go on and see where you go.
I've never told anyone this. But I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit.
My first big gig was an opening show for Frank Zappa, and I think that was difficult.
It's a two-dimensional gig being a singer, and you can get lost in your own tedium and repetition.
When you go to a concert, part of being there is that you're all hearing the same thing. It's about being in a crowd. If you go to a gig and there are two people there, then it's not the same thing.
I hate complacency. I play every gig as if it could be my last, then I enjoy it more than ever.
When I was younger and did a stand-up gig, it would take me two weeks to recover. Sometimes I'd get so panicked that I would stutter.
My stand-up is quite good now, people say. It's just like a big conversation each time. Every gig is a rehearsal.
My nerves before a gig got worse; I had terrible bad nerves all the time. Once we started... I was fine.
I think of being an actor as kind of a young man's gig. It's emasculating, in a way, people messing with you and putting make-up on you and telling you when to wake up and when to go to sleep, holding your hand to cross the street. I can do it up to a certain point, and then I start to feel like a puppet.
I entered the work force cleaning breast pumps at a pharmacy! It was a part-time gig while I was at school... no interview required.
The first gig we ever played was in Halifax, Nova Scotia, where I'm from. I was in a band called the October Game, and we opened up for a Vancouver band.
I enjoy performing, always, but when you're taping a gig, you've got to blank out this mass apparatus of self-consciousness that's surrounding you, this invitation to drown in self-consciousness. Otherwise you just won't be able to do anything.
A. P. J. Abdul Kalam
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