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Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
Ira Gershwin, shame on him. I mean, some of the writing.
As a New Yorker you can't help but be proud of the fact that so much music and culture started here. Punk rock, jazz, hip-hop and house music started here, George Gershwin debuted 'Rhapsody in Blue' here; the Velvet Underground are from New York.
You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.
As far as songwriters, I've always been a fan of Irving Berlin, Cole Porter, and George Gershwin; those guys mean a lot to me.
I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.
My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
Gershwin inspired me very much. The concept of 'That Lucky Old Sun' was inspired by 'Rhapsody in Blue' - not influenced, but inspired.
From folk to tribal to Cab Calloway, Cole Porter, Gershwin to the Rolling Stones, whose first record was all covers, to country-western, bebop, blues, and even the referencing in classic hip hop to cliched love ballads of the '80s or whatever - that is kinda gone, and that's just terrifying to me.
He's a world-famous name to people who care about his music, but there are many people who have never heard of George Gershwin and those numbers increase.
The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin.
I love Gershwin. I love musicals.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
As a composer, Dylan now fits comfortably alongside George Gershwin or Irving Berlin, though he grumpily refuses to wear any man's collar.
I'm a fan of Jerome Kern and Gershwin. That's my kind of music.
I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.
Jesse Tyler Ferguson
I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.
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