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I very rarely saw Tom Kite around. I've talked to Tom about it. I don't think Michael Jordan needed to be on the captain's cart with Kite; he needed to be walking in the gallery, supporting them from outside the ropes.
I once saw an elaborate landscape in a gallery, drawn in pencil, that took my breath away. Then I realized the artist probably didn't have enough confidence to use a pen.
As humans we look at things and think about what we've looked at. We treasure it in a kind of private art gallery.
When I go to an art gallery and stand in front of a painting, I don't want someone telling me what I should be seeing or thinking; I want to feel whatever I feel, see whatever I see, and figure out what I figure out.
I love going to galleries, particularly the National Portrait Gallery.
Honestly, I don't believe in menswear. I focus on what pieces are most timeless, transcendent, match my lifestyle, remain remarkable, and command intriguing attention across the room at an art gallery.
Sunday is the one day I keep reminding myself that I should lay around and take it easy, but because I am O.C.D. and an extreme multitasker, I find it hard to get lazy. I love Sundays for painting because it's quieter; the gallery is closed, and there are no interruptions.
There is more to representing art than selling art. The life of the gallery is dependent on the renewal and refreshment of its artists and dealers. When that stops happening, it's the end.
I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
Lewis H. Lapham
Sometimes when I walk into a gallery and I see someone's work, I think to myself, 'Gee, I wish I had done that.'
You find a lot of junk when you're searching through lost and tossed photo ephemera, but every so often you'll find a gem, a wallet-sized masterpiece you're certain could hang on the wall of a gallery if only someone with a name had taken it. Find one or two of those and you're hooked for life.
In a gallery, there's an expectation of high prices and a somewhat elitist atmosphere.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.
The Spiral Gallery may happen, too. It is not dependent on government funding.
The big pay-off was to work as an artist and gain some shred of respect from your friends, who were also artists. But there was never any notion that you could make a living out of art. On the rare occasions you had a gallery show, and sold a little work, well, that was just gravy.
I don't like books that play to the gallery, but I've become more concerned with telling a story as clearly and engagingly as I can.
Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.
I just don't think that the differences you make by donating to a museum or an art gallery really compare to the differences you make by donating to the charities that fight global poverty.
I'm going to put a museum on my ranch and people keep saying, 'That's a huge idea.' Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.
I've become convinced that Los Angeles is going to become the next contemporary art capital - no other city has more contemporary gallery space than Los Angeles. We've come into our own, finally.
A suit is just a suit: a practical garment, not a ceremonial robe; it can be worn out to dinner with friends or for a visit to an art gallery. Its beauty and craftsmanship are utterly wasted if you think of it as something magical and symbolic.
My dream since I was a kid was to show in a gallery.
When I was growing up, there was a feeling in one's living room as much as in one's local gallery that a little elitism was good for the soul.
The gallery is generating work for the masses.
Leonardo da Vinci
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