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Everything that we inherit, the rain, the skies, the speech, and anybody who works in the English language in Ireland knows that there's the dead ghost of Gaelic in the language we use and listen to and that those things will reflect our Irish identity.
My father could swear in Gaelic and English, by the way, ladies and gentlemen.
Singing in Gaelic is very, very natural to do. I think lends itself very much so to being sung.
My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
It wasn't so long ago that it was not popular to speak Gaelic in Ireland because the areas that Gaelic is spoken in were much poorer areas.
I have always loved Scottish music - all sorts of Celtic, Gaelic music.
When I was a senior in high school, I went to Ireland to study Irish Gaelic. And after one semester at Trinity College, I went way out to the west coast of Ireland and rented a little house by myself.
When I was a kid, if you didn't speak Irish, you really wanted to. And you played Gaelic games and you didn't pay any attention to what was happening in the outside world, because really, Ireland was the center of the universe. And I don't think that's the case anymore. Although, admittedly, it is the center of the universe.
I can speak French, understand Gaelic and know my history. That's the training music has given me.
Maud Gonne was - excuse me, Maud Gonne was central to the Gaelic literature revival. She wrote plays, and she sang.
The Gaelic language itself depends very much on ear and rhythm, and when those who are thinking in Gaelic speak in English, they get the same rhythm.
My first language is Gaelic.
I used to go to a Gaelic class on a Saturday morning, but I never felt myself that I could speak it properly.
I speak some French, Spanish, a little German and Gaelic.
My kids are Irish; I want them to grow up playing Gaelic football and learning Irish.
I think the poetry that came out of Belfast, and especially the Queen's University set, in the 1970s and '80s - you know, Paul Muldoon and Seamus Heaney, Derek Mahon and Ciaran Carson - that was probably the finest body of work since the Gaelic renaissance, up there with the work of Yeats and Synge and Lady Gregory.
The position is: the Gaelic language is no longer the native language; it is dead, yet food is being brought to the graveyard.
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