Quote of the Day
A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
I think that 'The Shield' was a phenomenal series finale.
In the knockout tournaments, it's futile to prepare for a grand finale. You may have worked out many strategies for the final. But you may lose in the first round itself.
I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned. Gone. Disappeared. That's when I realized anything can happen in this business.
These characters, they have to evolve. They're getting older on the show, these are things that happen in everyone's life. People do get married... this is just a natural evolution. I wonder if we'll have 'Big Bang' babies in the season finale?
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
I want to figure out what kind of artist I want to be, because with the 'American Idol' process, it just works really fast. The night of the finale, they said, 'OK, here are all the label people that you're gonna work with, this is the album you're gonna make and blah, blah, blah.' So it was a pretty fast process, but it's been cool.
Curtain! Fast music! Light! Ready for the last finale! Great! The show looks good, the show looks good!
From my childhood, I remember a tiny old woman named Mary, made pale and almost translucent by time. Mary's childhood memories extended back to the confusing and violent finale of the Civil War, and she told stories of brutal murders in those days and refused to name some of the killers, as if dead men might still be prosecuted in the late 1950s.
Many composers use software to write music - programs like Finale or Sibelius. There are also recording programs. I should say I'm still very old-fashioned, I still use pencil and paper. But almost every composer I know does it the 'new way.'
A good novel is a good novel, pointe finale. And I think what I'm writing is exactly that.
Perhaps the most versatile and useful plug-in in the collection is Mass Copy. It is certainly the one I use the most. Due to limitations in how plugins can interact with Finale, Mass Copy has a somewhat unusual user interface.
Suprisingly, one of the most complex pieces of code is the code to determine where a note is in the staff. Finale stores notes as relative scale positions in the current key.
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