Quote of the Day
You must live life in its very elementary forms. The Mexicans have a very nice word for it: pura vida. It doesn't mean just purity of life, but the raw, stark-naked quality of life. And that's what makes young people more into a filmmaker than academia.
The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to strangeness to beauty to weirdness to tragedy. The caravan keeps moving on, and the job of the longform writer or filmmaker or radio broadcaster is to stop - is to pause - and when the caravan goes away, that's when this stuff comes.
A filmmaker has almost the same freedom as a novelist has when he buys himself some paper.
In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the US, I'm a bum.
One of the things you do as a writer and as a filmmaker is grasp for resonant symbols and imagery without necessarily fully understanding it yourself.
What I've been doing with my misfit, so-called acting career in film from day one on my first film, 'Spanking The Monkey', is, I've kind of made a concerted effort to hijack my acting career to turn it into film school, because I've always had the blasphemous idea of becoming a reasonably competent filmmaker in my own right some day.
War is so complex; human nature is so complex. There's no filmmaker who has ever figured it out perfectly.
I think as a filmmaker my first contribution would just be to make a good movie that people would love to see and leave the theatre charged, with a sense of excitement.
Every good writer or filmmaker has something eating at them, right? That they can't quite get off their back . And so your job is to make your audience care about your obsessions.
A filmmaker doesn't have to suffer to show suffering. You just have to understand it. You don't have to die to shoot a death scene.
I've always considered myself a filmmaker who writes stuff for himself to do.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
It's like getting into film - I didn't say early on, 'I'm going to become a filmmaker,' 'I'm going to show my work at MoMA.' When you start to think those things, you're in trouble.
You want to be a writer? Start writing. You want to be a filmmaker? Start shooting stuff on your phone right now.
In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
Susanne Bier's work I've always really enjoyed. She's just such a great filmmaker; she's very cool and very sexy - that always helps, too.
Without a doubt, I was born to want to make cinema, but the kind of cinema I want to make is not like commercial movies, which I enjoy myself, but I wanted to be the kind of filmmaker who wrote original work, sort of like a novelist would who deals with who we are and our times or our relationships.
Francis Ford Coppola
For a filmmaker, it's a rare chance to do a personal film on a big canvas.
As a filmmaker, you have to understand the essence of the book and tell the story you want to see on the screen, and hopefully please yourself - because you can't possibly please everyone.
I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances.
There will always be competition, especially in showbiz. There's always someone younger and hungrier standing behind you; there's always someone with more contacts; there's always someone whose grandfather or father is a filmmaker. I think your job is just to be there 100% - you work hard, and there are no shortcuts to success.
But, in each case, as a filmmaker who's been given sizable budgets with which to work, I feel a responsibility to the audience to be shooting with the absolute highest quality technology that I can and make the film in a way that I want.
And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.
My friend, the Dutch filmmaker Theo van Gogh, was murdered in 2004 for having been insufficiently reverent toward Islam.
Ayaan Hirsi Ali
John F. Kennedy
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