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I remember in that red leisure suit I sort of felt like a Pizza Hut employee, and the white one was the ultimate, with the white turtleneck collar, that was the ultimate in bad taste.
Universities are no longer educational in any sense of the word that Rousseau would have recognised. Instead, they have become unabashed instruments of capital. Confronted with this squalid betrayal, one imagines he would have felt sick and oppressed.
I always felt caged, closed in, like I was punching at things that weren't there. I always had too much energy for the room I was in.
People need to understand that the Lauryn Hill they were exposed to in the beginning was all that was allowed in that arena at the time. I had to step away for the sake of the machine. I was being way too compromised. I felt uncomfortable having to smile in someone's face when I really didn't like them or know them well enough to like.
I have always felt that a woman has the right to treat the subject of her age with ambiguity until, perhaps, she passes into the realm of over ninety. Then it is better she be candid with herself and with the world.
I felt like I got more comfortable on 'Idol' when I just started being myself and not trying to be what I thought I had to be.
There was no doubt that in the early and mid-eighties that many of us in broadsheet newspapers felt that we still had a responsibility to try to protect the Royal Family or if you like protect the Monarchy from the assaults of the media.
I thought it was all a flash in the pan. It wasn't until Broadway came along that I felt I had really made it.
I admire Madonna because she always did whatever she felt like doing. She went through some controversial periods when people rejected her, but she kept on reinventing herself.
I can get on with all different sorts of people, and I never feel homesick, particularly, or I've never felt kind of patriotic towards any one country.
It felt good doing a physical job, and going home each evening feeling like I had really done a day's work.
You can sell millions of records, be showered with all this love and admiration and still feel despised and unwanted. That's what I felt. I've made a lot of mistakes I'm not proud of.
I felt that as long as we were being honest, and that we didn't bend the truth to accomplish another goal, to be entertaining or to be a happy ending, I was confident that we'd be able to tell the story the way it happened.
For years, I've felt like the loneliest brother on the planet. I don't play basketball, I can't dance, and I'd rather listen to Harry Nilsson than hip hop.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
But I was always a bit of a gypsy, anyway. I spent five years at Oklahoma State, five years at Miami and moved on after winning the national championship, and five years with the Cowboys. So, I was ready to move on. We won back-to-back Super Bowls, and I felt that I accomplished what I wanted to accomplish.
Do exactly what you would do if you felt most secure.
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
I always felt really alone because no one wanted to talk about the things that I enjoyed, and that was really rap music and hip-hop as a culture. You know, having the shoes, using the words, buying the magazines, seeing the videos. And I had nobody to share it with, so I feel like I lived a lot online.
I have felt cats rubbing their faces against mine and touching my cheek with claws carefully sheathed. These things, to me, are expressions of love.
As a kid who wasn't into sports, at school I felt almost alienated at times, whereas in the theatre community there was this amazing sense of camaraderie. Early on, we would go to rehearsals with my dad and I was like the mascot for the backstage crew. That was a big part of my childhood, so I dreamed of one day doing a play in London.
A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
There's never been a game plan, and I suppose I've had an uneasy relationship with my ambition. Someone who had been in my year at drama school once said to me that I was terrifyingly ambitious back then. Which was not at all what I felt at the time - I felt paralysed with shyness, though that evaporated.
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
A. P. J. Abdul Kalam
Martin Luther King, Jr.
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