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The side of fairytales I don't like is that they always have happy endings, that there's just good and evil, and things are perfect. But life is a little more complicated, and that's what I try to teach my kids.
A nation that has no music and no fairytales is a tragedy.
Fairytales have always got to have that scary quality, as long as you make them laugh.
Helena Bonham Carter
In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
Francis Ford Coppola
Romantic comedies seem to take over where the fairytales of childhood left off, feeding our dreams of a soulmate; though, sadly, the Hollywood endings prove quite elusive in the real world.
Fairytales are stories that span every generation and they've been around for a long time.
The religious imagery and fairytales that formed our shared cultural references have been replaced by the cult of celebrity. Marilyn is the sex goddess, Camilla Parker Bowles is cast as the wicked witch, Che Guevara is the revolutionary. Celebrities have become visual shorthand for narratives that shape our lives.
Recasting fairy tales has become a publishing sub-genre in itself, and has been done both well and to the point of entropy. More interesting are those works where the structures of fairytales are abandoned but the world of 'fairy' is imported as a delicate spice.
I was alone as a child. I lived in fairytales, adventures, Shakespeare. They are the friends, my books.
From the very beginning, history wasn't content simply to be nostalgic fairytales; it wanted to make you think.
I didn't break into comics to write fairytales or crime comics.
I always thought it hadn't influenced me very much, but I heard from many people from England that many motives from German fairytales are to be found in my books.
Yes, I can speak a bit and I can read and write in Russian. I learned it from my grandmother who raised me with all the Russian fairytales.
If you put a much older woman in 'Doctor Who,' they can identify with it. I think it's quite an interesting concept, and if you remember things like 'Grimm's Fairytales,' the older woman is often the villainess, often the terrifying figure - why I do not know, but often she is. I think it's an idea to be exploited.
I've loved fairytales, folklore and mythology since I was a small child, and I think it was inevitable that they would influence my style and my development of stories.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
As a reader, coming to my reading as a writer immersed in fairytales, I can't help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so I'm very excited when I notice that.
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