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If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
I learned no detail was too small. It was all about the details.
When I did a study of all the coming-of-age movies that meant a lot to me, whether it was 'The Graduate' or 'Rebel Without a Cause' or 'Dead Poet's Society,' they all had that timeless feel. None of them were completely married to the details of their age. They felt timeless in their treatment of it. That's what made them resonate with me.
It is true that as people, we tend to remember only the positive. With time, the grim details fade away, and as a species we survive on this notion. In our desire to gloss over the undeniable macabre parts of our American history, we forget. That amnesia manifests itself, especially when dealing with the plight of black men.
What she did was to open our eyes to details of country life such as teaching us names of wild flowers and getting us to draw and paint and learn poetry.
All fiction relies on the real world in the sense that we all take in the world through our five senses and we accumulate details, consciously or subconsciously. This accumulation of detail can be drawn on when you write fiction.
I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.
Art works because it appeals to certain faculties of the mind. Music depends on details of the auditory system, painting and sculpture on the visual system. Poetry and literature depend on language.
If one of my heroes comes to me and says, 'Do you want to work on something?' I just say, 'Yes.' I don't ask for details; I don't expect to get paid anything. I just love working with my heroes.
I'm kind of feeling like I don't mind being open with the random details of my life, like I'm at a coffee shop or my toe hurts or something, but obviously other more personal areas of life where I will just never really go there.
For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is.
If you're still wondering about details - how am I going to get these two to meet, or whatever - when you're writing, you can't pay proper attention to the sentences themselves.
Why should I go into details, we have nothing that is not perishable except what our hearts and our intellects endows us with.
Becoming a grandmother brought me back to the things I forgot to love. Nature. Playing. Seeing animals. A new way of looking. A rejuvenation. A cycle of life - things come back to you. The details.
Most of our lives aren't that exciting, but the drama is still going on in the small details.
I believe God is in the details.
I won't go into the details, but I ready myself for the day. I am a high-maintenance type of guy.
I find significance in all kinds of small details when I run; I'm hyper aware of my surroundings, the sensations in my body, and the thoughts running through my mind. Everything is clearer, heightened.
An autobiography is a book a person writes about his own life and it is usually full of all sorts of boring details.
The full name of string theory is really superstring theory. The 'super' stands for this feature called supersymmetry, which, without getting into any details, predicts that for every known particle in the world, there should be a partner particle, the so-called supersymmetric partner.
I have spent years as a leadership coach to the very wealthy and have been able to get behind the eyes of some of the world's best, studying the minute details of what makes a person great.
Robin S. Sharma
I am a control freak. I am very hands on and pay attention to details.
I nitpick details.
When working on a period, it is the finer details that evoke imagery that helps in cinematic adaptations.
It's hard to actually take details from your personal life and apply them a scene because, as much as you can identify with a feeling, you just get muddled. As soon as you start bringing your own stuff in, it's like, 'No, that's not right.' You're playing a different person. You can relate, but you have to leave that stuff at the door.
Martin Luther King, Jr.
John F. Kennedy
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