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I think it comes from really liking literary forms. Poetry is very beautiful, but the space on the page can be as affecting as where the text is. Like when Miles Davis doesn't play, it has a poignancy to it.
I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
I like to listed to the adventurous guys - the Coltranes, Miles Davis, the guys who just let it loose.
I know what I've done for music, but don't call me a legend. Just call me Miles Davis.
I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.
I never considered Miles Davis a perfectionist; I always considered him as an excellence-ist, where deviation is actually kind of cool.
I don't think I have the image that say, Judy Garland has, or Bette Davis.
Gray Davis can run a dirty campaign better than anyone, but he can't run a state.
My sister is a good story of resiliency. She had a full ride at UC Davis, but she left school to go to the Philippines - and then she decided to go back to school in her 40s, which surprised me. She went to UC Berkeley, and I think she was one of two African Americans in her class at Haas. She's really impressive.
Jazz music is as American as it gets, and so is the U.S. Postal Service. A Miles Davis stamp is a perfect marriage of two great American institutions.
Miles Davis would have this lineup of all these amazing musicians and one day would just say, 'We're done.' After tons of great records and tickets sold, he said, 'Now I'm going to grow my hair out and play my horn through a wah-wah pedal.' Rather than play it safe, he went on.
I prefer to call the most obnoxious feminists what they really are: feminazis. Tom Hazlett, a good friend who is an esteemed and highly regarded professor of economics at the University of California at Davis, coined the term to describe any female who is intolerant of any point of view that challenges militant feminism.
I am a leader. Leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
My favorite actress of all times is Bette Davis in Dark Victory. I have seen it six or seven times, and I still cry.
I am a leader, so leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.
When I was a kid, it was Bette Davis. She was my idol. I used to cut school and sit in the back of the theater; of course, I would have snuck in because I couldn't afford a ticket.
In Oakland, Al Davis was a genius. We had Ron Wolff there, too, and he was a genius. There was no room for me to be a genius.
I may be paralyzed from the waist down, but unlike Gray Davis, I'm not paralyzed from the neck up.
Al Davis has been the biggest influence in my professional football life. I mean, he was a guy that gave me an opportunity, one, to get into professional football in 1967 as an assistant coach, and then at the age of 32, giving me the opportunity to be the head coach.
I'm not head-strong, and I'm not egotistical. I understand certain things better now. I won't be trying to be play everyday. There's only one Cal Ripken, one Lou Gehrig and one Joe DiMaggio. What is good for them isn't necessarily good for Eric Davis.
I got a chance to work with Miles Davis, and that changed everything for me, 'cause Miles really encouraged all his musicians to reach beyond what they know, go into unknown territory and explore. It's made a difference to me and the decisions that I've made over the years about how to approach a project in this music.
I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In,' Flip Wilson.
No one told Miles Davis or BB King to pack it in. John Lee Hooker played literally up to the day he died. Why should pop musicians be any different?
Martin Luther King, Jr.
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I am the inferior of any man whose rights I trample under foot.
Robert Green Ingersoll
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