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To the Parisians, and especially to the children, all Americans are now 'heros du cinema.' This is particularly disconcerting to sensitive war correspondents, if any, aware, as they are, that these innocent thanks belong to those American combat troops who won the beachhead and then made the breakthrough. There are few such men in Paris.
A. J. Liebling
I'd rather go to the White House Correspondents' dinner than any awards show.
Attend with Diligence and strict Integrity to the Interest of your Correspondents and enter into no Engagements which you have not the almost certain Means of performing.
Do you know what White House correspondents call actors who pose as reporters? Anchors.
Don't worry over what the newspapers say. I don't. Why should anyone else? I told the truth to the newspaper correspondents - but when you tell the truth to them they are at sea.
William Howard Taft
I've given up email. Well, almost. At the weekend I set up one of those auto-reply messages, informing my correspondents that I would no longer be checking my emails, and that instead they might like to call or write, as we used to in the olden days.
Political reporters no longer get to decide what's news. The days when a minister gave briefings to a dozen lobby correspondents, and thereby dictated the next day's headlines, are over. Now, a thousand bloggers decide for themselves what is interesting. If enough of them are tickled then, bingo, you're news.
Most correspondents came from the former colonial powers - there were British, French, and a lot of Italians, because there were a lot of Italian communities there. And of course there were a lot of Russians.
The Iraq War marked the beginning of the end of network news coverage. Viewers saw the juxtaposition of the embedded correspondents reporting the war as it was actually unfolding and the jaundiced, biased, negative coverage of these same events in the network newsrooms.
Most national correspondents will tell you they rely on stringers and researchers and interns and clerks and news assistants.
Wars tend to be very public things, they are visible. There are correspondents traveling with the troops and you get daily dispatches.
I'm not seeing tough questions asked on American television. I'm not seeing those correspondents that would question those in power. It's like a club. We are not asking the tough questions.
I write about the period 1933-42, and I read books written during those years: books by foreign correspondents of the time, histories of the time written contemporaneously or just afterwards, autobiographies and biographies of people who were there, present-day histories of the period, and novels written during those times.
People really in the meat grinder of the front lines are not, for the most part, insured or salaried network correspondents. They're young freelancers. They're kind of a cheap date for the news industry.
The dirty little secret of foreign correspondents is that 90 per cent of it is showing up. If you can find a way to get there, the story, the reporting, it's the easiest you'll ever do. 'Cause the drama's everywhere.
During the war, in which several of our embedded correspondents were able to report from moving vehicles crossing the Iraqi desert, the use of technology made news gathering safer.
At Al Jazeera, we are getting our local Somalis, Yemenis and Sudanese, local correspondents from within the society, who understand much better than the people who come from overseas. We will get a much better insight.
Those 40 or 50 national correspondents who had followed Kennedy since the beginning of his electoral exertions into the November days had become more than a press corps - they had become his friends and, some of them, his most devoted admirers.
I think the big news organizations, the UPI, AP, Reuters, and the 'Sunday Times' - do take their training seriously. And I think they do only send experienced correspondents with proper insurance and proper training. And they don't force them to go where they don't want to go.
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