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I was born and grew up in Phoenix, and I left there when I was 17 to go to Interlochen Arts Academy - a boarding school in Michigan - for a year, and then I went to college for a year at The Boston Conservatory and landed the 'Spring Awakening' tour midway through my freshman year, which was pretty cool.
When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.
I started playing the piano when I was about two and got a scholarship to the Peabody Conservatory of Music in Baltimore when I was five. But I left when I was 11.
I ended up turning down a full scholarship of music at the conservatory to pay to go to cooking school.
At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.
When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played.
There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice.
Genetically, I have tons of musical background in my life. My mother's father was a famous Weimar-era composer, Ernst Toch. My father's mother was the head of the Vienna Conservatory's piano department. It all canceled out in my case. I'm completely hopeless in music.
In 1948 the first severe crash occurred in my life when Stalin put out his decree on 'formalism.' There was a bulletin board in the Moscow Conservatory. They posted the decree, which said Shostakovich's compositions and Prokofiev's were no longer to be played.
When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.
Robert De Niro
I've never taken a lesson in my life, and I can play every instrument there is. I play by ear, but I can fool anybody into thinking I went to some conservatory of music.
I went to the Conservatory of Music in school in Rome.
I did a lot of commercial and theater work when I got out of school and was living in Dallas, and I moved to Chicago to go through the Second City Conservatory Program.
I trained as an actor in London and went to Mountview Conservatory, as it was called then, and lived there for eleven years.
I worked in theater my whole life. My mom was a drama teacher at my middle school. In high school, I was Drama Club President every year, and then I auditioned for conservatory acting programs.
Conservatory training is so much. There's so much emphasis on playing perfectly in tune and being perfect and doing everything as it's written.
I worked at the American Conservatory Theater in San Francisco, lived there for three years, and lived in Baltimore for 12 years.
Because I was from the Midwest and untrained, I was completely open and ready to try anything. Many of my classmates were cynical and jaded; some already had conservatory training, and they were there simply to get that Yale stamp of approval, which they saw as a career stepping-stone.
I went to drama school for four years at Carnegie Mellon, conservatory training before television comedy. I was doing Shakespeare and Chekov plays. It's about delivering on the promise of a $100,000 education and taking the shackles off and trying the hand at my craft. I'm thrilled with what I've seen so far.
I was at Second City L.A., going through the conservatory, and I graduated in 2004 and I got 'SNL' in 2005.
Just so people know, the Silverlake Conservatory of Music is not at all about celebrity or fame or being a star. It's an academic music school.
Studying music in a conservatory would be stifling for me, although I respect people who can do it. And by no means am I an expert at notating music or music theory - that's not really my world.
The quality of instruction is very high at the Silverlake Conservatory of Music. It's not about being a rock star. It's about the fundamentals of music, theory and technique on a particular instrument, and playing in an ensemble or private setting.
The Silverlake Conservatory is a nonprofit music school in Los Angeles where we teach music, mostly to kids, but to people of all ages - people who are old, people with beards, all kinds of people.
I attended less than two years of Conservatory in Mexico City.
Martin Luther King, Jr.
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