Quote of the Day
Cinematography is infinite in its possibilities... much more so than music or language.
The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.
You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.
I like movies where you can come back and re-watch them and admire the cinematography 25 years later.
And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
The incredible cinematography makes 'A Walk to Beautiful' almost like a poem; there is a tenderness on display that seems to emanate from the camera. There is also great sensitivity to the women whose stories are being told - never did I have a sense of the subjects being exploited.
In old movies, the cinematography is a thousand times better than anything today. Writing, a thousand times better.
I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
There are particular images that I like. Allegro is composed of a series of still life photographs that has been put to speed. There is so much care that has gone into the composition of the cinematography.
My father would tell anyone who would listen that this dentist thing he was doing was not his passion; cinematography was.
I started out with this dream of being a director and doing cinematography and bought my first film camera at 15.
In 'Tree of Life,' the cinematography records a small story, a celebration of the courage of everyday life. But it does it so up close and so effortlessly that it has the effect of elevating the intimacy of the story to a grand scale.
I think there were some dubious feelings about it, that the first 'Scarface' would not be surpassed by the second 'Scarface.' We were wrong; it surpassed it. The acting talent, the cinematography - we were propelled into a real class action film. Long after I kick the bucket, it'll be played.
I feel for Veronica Mars so much when I'm watching at home. It is a wonderful story. The writing is consistently funny, biting, charming, heart-wrenching, etc. I also like the look of it. The cinematography - different from any other show.
Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms of my involvement in the minutiae.
Right before 'American Dreams,' I started to pursue these avenues, like short films and getting into a couple night courses to really study photography and cinematography, and the language of visual storytelling.
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