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Box Office Quotes
If the boy and girl walk off into the sunset hand-in-hand in the last scene, it adds 10 million to the box office.
Who would have thought that a tap-dancing penguin would outpoint James Bond at the box office? And deserve to? Not that there's anything wrong with 'Casino Royale.' But 'Happy Feet' - written and directed by George Miller - is a complete charmer, even if, in the way of most family fare, it can't resist straying into the Inspirational.
When people protest and are upset with a movie, it becomes a big hit. They hated Passion of The Christ, it worked out pretty well for the box office. So let's get that going.
Virtue has its own reward, but no sale at the box office.
People will say a movie bombed at the box office but I couldn't care less.
The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie.
People say you should do it this way, someone else suggests that, yes, there's financing, but maybe you should use this actor. And there are the threats, at the end - if you don't do it this way, you'll lose your box office; if you don't do it that way, you'll never get financed again... 35, 40 years of this, you get beat up.
Don't believe the hype. I don't care how many number ones you have at the box office, I don't care how much they say you're great, don't believe it. Just stay in your lane and do what you're supposed to do.
Hollywood is not known as a culture of grace. Dog-eat-dog is more like it. People love you one day and hate you the next. Personal value is very much attached to box office revenues and the unpredictable and often cruel winds of fashion.
Actors are greedy. They can never be satisfied. I want praise as well as box office returns.
Kareena Kapoor Khan
I've never been someone who's been given work because of the way I look or because I have some box office appeal. I get work because people know I'm swinging as hard as I can, trying to connect, giving it my level best. I have a face for radio, but here I am doing what I do.
John C. Reilly
What counts in Hollywood is box office. It doesn't really matter what people think of you as an actor because, as long as you have been in a movie that has made money, you will always get another job.
So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison.
Sometimes I know a film might not pull the audience to the theatres and have a great collection at the box office. But I need to do these films for creative satisfaction and give something different to the audience.
It's funny because I remember when I came to the U.S. with 'Swimming Pool,' the movie did well, and it was great box office for a French movie, but I remember I was a bit upset because all people talked to me about was the nudity.
I'm all about the crossover. The role doesn't necessarily have to be white or Latina or black. It could be anything. But it's hard in Hollywood, because sometimes it's all about the box office. Or all about looks and things like that. It's not about the story that they have to tell.
I believe in my privacy. I always have, and I always will. I don't think that my private life needs to be on display for me to get a better response at the box office or for me to get a better choice of movies.
Over the years, with all the experience, I've become more mature about the subjects I pick. I have a better understanding of what works at the box office. Once the story is finalised, I surrender to the director and follow him. After that, my performances speak for themselves.
Lana Turner was adorable and funny. Jimmy Stewart was such a nice person. I quickly realized that if you're not a nice person, you're not going to last in this business. I mean, once your box office starts to drop off, like Veronica Lake, they'll get rid of you fast.
So what 'Twilight' does is show how women/girls can drive box office and they can support a tent pole movie. They're an extremely passionate fan base. This coincided with the 13 year old boys starting to stay home and play video games and work on their home media stuff. They're no longer going to theaters in droves.
People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
My mother was keen that I complete my graduation and never ever wanted me to be in the movies, as my father had made five films that lost money. One of the films he made was 'Agneepath,' which was hugely hyped but underwhelming at the box office, and I remember that my dad had to sell my grandmother's flat to pay off the loan.
I reckon this could mean another 10 million at the box office.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
John F. Kennedy
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