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I don't believe in dying. It's been done. I'm working on a new exit. Besides, I can't die now - I'm booked.
When I was living in Los Angeles, I always booked a moisturizing milk-and-honey massage the day before flying to Spain. It was heaven - I never got dry plane skin or felt stiff from sitting in one position.
When I was writing my column, I would almost always be recognized when I was in a restaurant, even if I was reviewing it and had booked under a fake name, so free stuff would start coming out of the kitchen on a conveyer belt, fantastic wines would be opened at my table. Now I can't even get a reservation on the pizza joint on the corner.
I booked 'Transformers' having no clue what I was doing. And then, all of a sudden, it was like: 'You've got to get your game together fast.' It sucks, but I'm trying.
I was working in customer service and had a verbally abusive boss. One day, I decided to quit and pursue my acting passion with everything I had. One week after quitting, I booked 'One Life to Live.'
We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal.
We have disappointments all the time in the business, and I've lost way more projects than I've booked. I've learned from every opportunity and have been chosen for some really great projects!
How can I die? I'm booked.
When my wife died, I booked myself into the studio just to work, to occupy myself.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to have a hit record. They wanted the money, but they didn't want us to be the ones.
And I was booked once to go on 'Ed Sullivan' and I got bumped and ran out the back door crying.
I was working at a restaurant, I booked the role in 'Twilight,' put in my two weeks' notice, got fitted, flew to Portland, filmed, and then it started getting hype. That helped me get my foot into certain doors before the movie even came out.
In fact, one was so booked out we went from March and were to go till November, but the pantomime was booked so they transferred the show to the Prince of Wales Theatre because it was so packed out, and it ran on from there.
I love football. My weekends are booked. Saturday college games and Sunday NFL and 'Monday Night Football.' Booked! Football is first, then basketball and then everything else.
My first show was when I was a high school freshman, but it was at the junior class dance. My older friend and bandmate booked it.
My parents made me finish high school before I started acting, and I did, like, two weeks of fine arts college before I was like, 'This sucks. I'm going!' I got a few small jobs, and then I booked a big-for-Canada feature.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know.
When I was working at Teleflora, I got booked to do 'Talladega Nights,' so I went and did that. That was really my first big break ev-er. I made as much from my per diem during the three-month shoot as I did for the entire previous year.
When I go to a restaurant and they say, 'We're fully booked,' I say, 'It's Roberto Cavalli,' and they say, 'I will check'. I love it!
You get a painting idea, and you go do that. You get a cinema idea, and you go in to do that. The difference is, even though the paintings might take some time to make, with cinema you are booked for a year and a half, minimum.
I did 13-something years of talking to wrestlers and promoters about why they did certain things and why they booked matches a certain way and what they were thinking and whether they were satisfied with the draw. And I got a lot of insight in the business.
When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.
Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'
Eventually I booked a 2-line role on a show called 'JAG' and slowly the parts got bigger and better. I'm very thankful that I had to appreciate how difficult the business is before I had any kind of success.
I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year's Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
A. P. J. Abdul Kalam
Leonardo da Vinci
Image of the Moment
Patience is bitter, but its fruit is sweet.
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