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I don't know who said that novelists read the novels of others only to figure out how they are written. I believe it's true. We aren't satisfied with the secrets exposed on the surface of the page: we turn the book around to find the seams.
Gabriel Garcia Marquez
Proust writes, he remembers, physically. He depends on his body to give him the information that will bring him to the past. His book is called 'In Search of Lost Time,' and he does it through the senses. He does it through smell. He does it through feeling. He does it through texture. It is all physically driven, that language.
It's very inconvenient because every time I finish, let's say, a chapter of a book, I think I'm going to ring Richard and then realize: Oh, Christ, I've buried him. I buried him last year.
If I pick up a book with vampires on the cover, I want there to be vampires. If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling.
From a good book, I want to be taken to the very edge. I want a glimpse into that outer darkness.
The connections I draw between human nature and political systems in my new book, for example, were prefigured in the debates during the Enlightenment and during the framing of the American Constitution.
Dynasty was the opportunity to take charge of my career rather than waiting around like a library book waiting to be loaned out.
No one over thirty-five is worth meeting who has not something to teach us, - something more than we could learn for ourselves, from a book.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
I eat 'The Walking Dead' like its made of brains. Can't even watch the show, I love the book so much.
No other human being, no woman, no poem or music, book or painting can replace alcohol in its power to give man the illusion of real creation.
When it comes to the point where you occasionally look forward to being in prison on the basis that you might be able to spend a day reading a book, the realization dawns that perhaps the situation has become a little more stressful than you would like.
I wanted to go to Portland because it's a really good book town.
My mother says I was two-and-a-half when I started playing. My father was a minister, and when he went to church in the morning, she would put on Fats Waller, Billie Holiday, Nat King Cole and Cole Porter records. I'd crawl up on the piano stool, sit on a phone book and play.
In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.
Pearl S. Buck
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
There's no comparison between NPR and the propaganda that you hear from Rush or from Sean Hannity, the news movement conservatives that are just laying out, slathering out the disinformation and the lies, as I discuss in my book, 'Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right.'
In 2011, I announced that I was going to retire, and my agent panicked. So she says: 'No, no, no. You have to write a book with your husband.' My husband is a writer of crime novels. His name is William Gordon. And so I had to accommodate to his style because that's what he writes. So we decided we'd give it a try. Well, we almost divorced.
There's no way you can misunderstand the teachings of the Qur'an, there's no way you can misunderstand the teachings of the Bible, there's no way you can misunderstand the teachings of the Bhaghavad Gita, or of the Book of Mormon, or of the other sacred texts of many of those religions.
Neale Donald Walsch
My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
I wanted to be a shoe designer, but I never thought it could be a profession. But what was the alternative? Doctor? Too dirty! Air-hostess? Maybe not! Then someone gave me a book on Roger Vivier, and, cheri, instantly I knew that was it!
I wanted to highlight that whole dreadful process in book publishing that 'nothing succeeds like success.'
Martin Luther King, Jr.
John F. Kennedy
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