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There is no black-and-white situation. It's all part of life. Highs, lows, middles.
There's something really appealing about the simplicity of black-and-white images.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
Black-and-white always looks modern, whatever that word means.
Our education system is increasingly embracing a black-and-white way of thinking, in which 'learning' and 'play' are diametrically opposed. 'Learning' is the serious stuff that happens inside a classroom and can be measured via multiple choice questions and a No. 2 pencil. 'Play' is frivolous, fun, and worst of all, optional.
Nothing is black-and-white, except for winning and losing, and maybe that's why people gravitate to that so much.
The over-all point is that new technology will not necessarily replace old technology, but it will date it. By definition. Eventually, it will replace it. But it's like people who had black-and-white TVs when color came out. They eventually decided whether or not the new technology was worth the investment.
Color can do anything that black-and-white can.
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
I think the truth is black-and-white.
100 years ago, movies were black-and-white, silent, and 16 frames a second. So 100 years from now, what are they going to be?
George Bush made a mistake when he referred to the Saddam Hussein regime as 'evil.' Every liberal and leftist knows how to titter at such black-and-white moral absolutism.
I think if you live in a black-and-white world, you're gonna suffer a lot. I used to be like that. But I don't believe that anymore.
It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.
Period recreation is very difficult unless you make a black-and-white movie.
Everything is not black-and-white. I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.
It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and it's very good for cinema.
I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.
Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.
When I first started dating my husband, I had this weird fascination with the circus and clowns and old carnival things and sideshow freaks and all that. About a month after we started dating, he bought me this amazing black-and-white photo book on the circus in the 1930s, and I started sobbing.
I love to unwind and watch movies, especially those from the classic black-and-white era.
I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.
Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?
I remember being on a black-and-white set all day and then going out into daylight and being amazed by the colour.
John F. Kennedy
Martin Luther King, Jr.
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