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I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.
Arnold Bennett was a writer I admired. He was actually taking notes at his father's deathbed.
People ask me if I ever get sick of playing 'Daydream Believer' or whatever. But I don't look at it that way. Do they ask if Tony Bennett is tired of 'I Left My Heart in San Francisco?'
I think a fictional invention grows according to its own development, not the author's. Characters in fiction are not simply as alive as you and me, they are more alive. Becky Sharp, Elizabeth Bennett, and Don Quixote may not outlive the burning out of the sun, but they will certainly outlive the brief candle of our lives.
I think I'm so old I'm in. We call it the 'Tony Bennett Syndrome.' For some reason, young people think I'm cool.
William Bennett is my patron saint, one of them. Redd Foxx is another.
If I'm serious, yes, I'd like to have done what Shakespeare did... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it.
From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
I heard Tony Bennett say that when you're a big deal early on, you have to maintain that level forever, and it's very scary. You have to keep hitting those home runs, turning out hits.
I would love to do anything involving a good strong character, whether it's in film, TV or theatre. My dream role's already been taken by Keira Knightley in 'Pride and Prejudice.' Growing up, I really wanted to be Lizzie Bennett.
I'd love to work with Michael Buble, with Tony Bennett, with Damian Marley, with Andrea Bocelli.
Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.
You look at Sinatra, Tony Bennett, Bob Seger. All they ever wanted to do was go out there and entertain, and I'm the same way.
Bill Bennett really became an idol for me. I listened to him every morning from 6 to 9 for, oh, years.
I listened to Bill Bennett and tons of other talk show hosts who talked about that and other policies and started branching out and caring about other issues in regards to politics.
What Bill O'Reilly says means nothing. What Stephen Bennett says means nothing. What God says means everything.
Richard Julian was the one who told me to check out Cartola. Telling someone to check out Cartola is like telling someone to check out Tony Bennett, you know.
I was trying to find an original style that didn't sound like Tony Bennett or anyone else. So I prayed about it, woke up with this high voice, and by 1954, I was going to amateur nights and winning.
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