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As a kid who wasn't into sports, at school I felt almost alienated at times, whereas in the theatre community there was this amazing sense of camaraderie. Early on, we would go to rehearsals with my dad and I was like the mascot for the backstage crew. That was a big part of my childhood, so I dreamed of one day doing a play in London.
It's nowhere near as intense as what I imagine an actor experiences backstage, but I feel a fluttering nervousness before a curtain goes up on a play. I mean, any play, anywhere - on Broadway or the Bowery or in a church basement.
I'm a bad liar; I don't know what to say backstage.
I met Elvis first in Las Vegas. I think I was appearing with Tom Jones and he came backstage to say hello to Tom or we went to his dressing room to say hello.
Backstage life is terrific training for an actor, seeing shows from the wings.
At Disneyland, you never go 'backstage' - even when you're in the bathroom.
Supergroupies don't have to hang around hotel corridors. When you are one, as I have been, you get invited backstage.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
It was 1988, I believe, that I met Grit. We were both appearing in a Canadian Folk Festival and as we sat backstage he handed me his guitar. I played it, loved it, and then found out that he'd made it himself.
What you don't see backstage is what really controls the show.
When you feel like you've had a good show, you go backstage and you talk to yourself about it, and if you have a bad show you talk to yourself about it.
When we lived in a suburb of Atlanta, Georgia, my sister and I did a local play. My whole family got involved. My mom did the makeup. My sister and I were being homeschooled, and my parents wanted us to be socialized. We had a lot of fun with the other kids hanging out backstage.
I've been known to throw watermelons, backstage, at people who are giving me news I don't want to hear. But I never aim for the head.
Backstage, I get sleepy, and want to curl up and snooze. I never get nervous, whatever the event. I feel quite detached until I walk on stage, and then some gear inside me clicks and off I go like a wind up doll.
I love all insider memoirs. It doesn't matter whether it's truck-drivers or doctors. I think everybody likes to go backstage, find out what people think and what they talk about and what specialised job they have.
My former bullies pay extra to come backstage and meet me after shows, and I pretend not to know them in front of their friends. It is the most divine pleasure to exact the revenge of the brutalized child that resides within.
Yeah, I did some small parts in high school and the first year of college and then fairly soon thereafter I settled into the backstage scenery, and then at the University of Maryland I was doing posters for their productions.
At any Maroon 5 concert, you'll see a room backstage marked 'yoga.'
My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.
I have loved music so much from when I was little, and I don't know whether it was because I saw my dad doing it and then I got the idea; I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
Lisa Marie Presley
All you could do was to see them. We were backstage when the Beatles were on and you could just about hear a noise. It was just literally screaming.
I went into performing for the community. Being backstage with your company of fellows is the best part of working in live theater. That energy, that combined focus, the synergy - it's addictive.
The designers usually don't like to say until we're on the runway. Like when I did Prada last year, I couldn't mention doing Prada or even Tweet or take a picture and put it on Twitter saying I was backstage at the Prada show. And Dolce was the same thing. They like to keep a little surprise, I guess, a little secret for everybody.
I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.
Martin Luther King, Jr.
John F. Kennedy
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