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People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
In an artwork you're always looking for artistic decisions, so an ashtray is perfect. An ashtray has got life and death.
There's a tacit belief that actors shouldn't write books, they're sort of allowed to direct movies but there will be a lot of skepticism, and they shouldn't do artwork or music. There are these invisible roadblocks to gain entree to these areas for actors, and you kind of have to crash through those invisible barriers.
Artwork is a representation of our devotion to life.
I started drawing when I was about 2, mostly pictures of my mother and my sister. When I got into school, instead of taking the notes that I should have been taking, I was drawing in all of my notebooks. It was an artwork thing for me at first.
I remember opening up my first vinyl and seeing the incredible artwork it had. There's nothing like it. You also get that true gritty sound on vinyl that really makes a rock record sound great, which CDs can never achieve.
Every person, every artist makes his life an artwork.
The business of living - that's your artwork, and the process of that is finding out who you are, what it all means.
I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it.
How can anybody learn anything from an artwork when the piece of art only reflects the vanity of the artist and not reality?
It's glorious to be able to go onto the Internet and hear any kind of music anywhere, from anywhere, and get it instantly. But there's also something glorious about having a record with a sleeve and looking at the artwork, putting it on the turntable and playing it, there's still something romantic to me about that.
I never expected the White House to be warm, and the artwork on the walls was extraordinary. I am a fan of the Louvre, but being there it was almost just as good.
I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
Whenever you finish an artwork and the viewer comes and views it, at that moment you've given up control.
I'm somebody who likes codes and ciphers and chases and artwork and architecture, and all the things you find in a Robert Langdon thriller.
I personally really like getting a proper album with artwork and everything.
I don't hate the music, but I hate the process. When I look at it, I don't see song titles and artwork, I see the fight - I see the emotions, the blood, sweat and tears. There are a couple of songs on there that I love; but 'Lasers' is a little bit of what you love, a little bit of what you like, and a lot of what you had to do.
Being creative is my idea of heaven. I'm just incredibly fortunate that I can do it in artwork. Watercolor is what I started out with. What I love about watercolor is that a lot of happy accidents occur.
Any material may be used but the theme is the same and the response is the same for all artwork... we all have the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly.
I enjoy being involved in making the artwork for albums and stupid stuff like that.
I enjoy singing my songs in front of people. I enjoy being involved in making the artwork for albums and stupid stuff like that.
Don't sit and wish for some ideal; the grass is not always greener with the big house and cars and artwork.
I have thousands of tapes, and photos and fliers, letters, posters, artwork - basically everything that ever happened, I kept. I'm not a hoarder, though. I'm sort of a librarian.
Martin Luther King, Jr.
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