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In writing, one searches, and that is what keeps one writing, that one sees and experiences things from another angle entirely; one experiences oneself during the process of writing.
All that a city will ever allow you is an angle on it, an oblique, indirect sample of what it contains, or what passes through it; a point of view.
I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
My first job in Brazil was actually to develop a way to improve the readability of billboards, and based on speed, angle of approach and actually blocks of text. It was very - actually, it was a very good study, and got me a job in an ad agency. And they also decided that I had to - to give me a very ugly Plexiglas trophy for it.
Most men say they can cook pasta, but I think you should find a little bit of an unusual angle on your pasta and make that your signature dish.
I obviously identify with the anti-authority figure. I've pretty much always had problems with authority, ever since I was a kid. But, yeah, it's not identifying, I think it's more a part of my natural DNA that I question anybody who has a plan. Everybody's got to have an angle; that's the way I grew up.
Whenever somebody says they need an angle for their story I always fear that they've got an idea and they want me to fit into it or they want me to come up with an idea myself or I'm supposed to be more revealing than I've been, and to me it just sounds like something I don't want to do.
Well, I think that Augusta is not the same golf course that I grew up on. Bobby Jones' philosophy was giving you space off the tee; if you put it in the right side of the fairway, you ended up getting the right angle to the green.
The rise of the Tea Party, along with the emergence of Christine O'Donnell in Delaware, Sharron Angle in Nevada, Carl Paladino in New York and Ron Paul in Kentucky, is not the first time in American history that voters have responded to hard economic times by supporting angry, unorthodox Senate and gubernatorial candidates.
But in answer to your question about the conspiracy angle, I think that any historian worth his salt, and this is where I fault Stephen Ambrose and a lot of these guys who attack me - not all of life is a result of conspiracy by any means! Accident occurs alongside conspiracy.
All you need is a bad angle and suddenly you're 30 pounds overweight.
I have a scar on my left thigh, kind of almost near my knee. I essentially fell in the 2002 Olympics and when I hit the wall - because of the impact - my right leg kind of came in at like a knife-type angle and stabbed my leg with my own skate blade.
I think my Latino culture has equipped me with a different point of view than the rest of my counterparts, and seeing things from a different angle has helped me a lot. I feel very proud of my culture, of my Latino heritage.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.
I feel like my experience on 'Community' was that I saw just how important that first year is for a series. That is where you work all the pieces out, and that means honing the characters' voices, setting that tone, finding your angle.
Even if someone is already in your market space, ask yourself whether you can approach it from a different angle and thereby secure your own customer base.
I think science is about the search for God; it just comes at it from a different angle than religion.
And that's the mission of The Innocence Project in New York, is to exonerate people who have been wrongfully convicted, and also work from a policy angle with Congress and state legislatures to prevent future wrongful convictions.
From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
When Jack Swagger copies my Ankle Lock and Randy Orton does my Angle Slam, it's disrespectful. I didn't come up with the Ankle Lock; Ken Shamrock came up with the Ankle Lock, but I waited until he retired to do the Ankle Lock.
With moviemaking, the audience always has to keep asking, 'What happens next?' If you have the wrong piece of music over a scene, people aren't going to get the scene. If you have the wrong camera angle, people aren't going to pay attention. That's as much a part of the process as getting people to talk to you.
When a man returned from the field and we'd look at the work, we'd criticize each other very genuinely and never offensively. And we would avoid all tricks, angle shots were just horrible to us.
Now we have to hit them from a different angle.
I think the focus of the media changes. At the moment the more electronic stuff like trip-hop was the flavor of the month, just a little while ago. It all depends on the angle, from which point of view you see it.
Martin Luther King, Jr.
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