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I think I could walk into any music shop anywhere and with a guitar off the rack, a couple of basic pedals and an amp I could sound just like me. There's no devices, customized or otherwise, that give me my sound.
My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.
I was doing comedy in laundry mats in 1992, literally where I would bring a little gorilla amp and a lapel mike and just start performing.
I've always played every amp I've ever had full up, because rock and roll is supposed to be played loud. Also, that's how you get your sustain.
I like the guitar better these days. I like the bass, too, but it's hard to fit a bass amp in a small car.
Dee Dee Ramone
I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'
The problem with taking amps to a shop is that they come back sounding like another amp.
Stevie Ray Vaughan
For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
I had the humble beginnings. I was doing comedy in laundry mats in 1992, literally where I would bring a little gorilla amp and a lapel mike and just start performing.
The older I get, the more I just like plugging directly into my amp. I'm tired of trying to impress myself with weird sounds. It's about the notes more.
The hedonistic lifestyle is difficult to achieve when you're still carrying your own gear. Trust me that you don't feel glamorous with a 60-pound amp in your arms; it's a lot less sexy than toting a vodka gimlet and impossible to do in heels.
I have a couple of basses in my office. And I try to be courteous of my co-workers, but sometimes I get carried away and I crank up my amp and I rock out. It's kind of my stress reliever.
In the crazy world of touring, if something gets stuck at customs, I can do a show with just my amp!
I suppose I am a frustrated musician so I annoy my family by playing guitar in the house. I used to be into acoustic stuff but my son Joseph is learning drums, so now I have an electric guitar and we play Metallica. We have an amp and a PA in the garage with his drum kit.
Some bands blow it before they even play. The most important moment of any show is when a band walks out with the red amp lights glowing, the flashlight that shows each performer the way to his spot on the stage. It's crucial not to blow it. It sets the tempo of the show; it affects everyone's perception of the band.
I ended up gettin' a little Gibson amp and a bass, because of Gene Simmons of Kiss. Myself and three other kids would pretend to be Kiss - I liked Gene the best.
For me, anything can be music! I can get huge enjoyment and be moved totally by the purity and perfection of some Renaissance polyphony, but equally I can feel emotion in the expectant hum of a big old guitar amp just before the strings are hit.
I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.
It takes only one bad amp to turn your ears to oatmeal: That's how old hippies became Yanni fans.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
Eddie Van Halen
When I got my first Marshall amp, it was so empowering. No one ever forgets their first Marshall amp if you're a guitar player pursuing a big powerful sound. I mean, no one ever forgets their first Marshall amp.
Surf music is played through a Showman amp with a Stratocaster guitar.
When I was 14 years old, I had the opportunity to meet Buddy Holly. I asked him how he got that big, powerful sound out of his guitar amp. He said, 'I blew a speaker and decided not to get it fixed.'
It's funny, though, because when I first started going to races after we met, I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone, so I was really hesitant.
In 1950, the biggest amp you could get was no bigger than a tabletop radio.
Martin Luther King, Jr.
C. S. Lewis
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