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The language of all the interpretations, the translations, of the Judaic Bible and the Christian Bible, is musical, just wonderful. I read the Bible to myself; I'll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.
Singing aloud leaves you with a sense of levity and contentedness.
It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
Reading your own material aloud forces you to listen.
If I'm serious, yes, I'd like to have done what Shakespeare did... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it.
But Ship Who Sang remains my favorite story. I really rocked folks with that and still cannot read it aloud myself without weeping at the end.
The apostles were moved, not so much by an intellectual apprehension, as by a spiritual illumination. They met men, and the need of those men whom they met cried aloud to them.
I was encouraged to read aloud in class and vocalize.
Writing poetry makes you intensely conscious of how words sound, both aloud and inside the head of the reader. You learn the weight of words and how they sound to the ear.
Those expressions are omitted which can not with propriety be read aloud in the family.
If you need proof of how the oral relates to the written, consider that many great novelists, including Joyce and Hemingway, never submitted a piece of work without reading it aloud.
I read stories aloud at every stage. I listen to my writer friends when they kindly offer criticism. I listen to my husband when he tells me something doesn't seem right. I have my mother's boyfriend, Loring Janes, read to make sure I get everything right with the machines and guns.
Bonnie Jo Campbell
Reading a poem aloud to an audience is gestural as much as precise.
When I was 14 or 15, our teacher introduced us to Dickens' 'A Tale of Two Cities.' It was just for entertainment - we read it aloud - and all of a sudden it became a treasure.
Books are men of higher stature; the only men that speak aloud for future times to hear.
We didn't have television in those days, and many people didn't even have radios. My mother would read aloud to my father and me in the evening.
I used to buy scented poetry books on tour and read aloud to the band. Not what you'd expect, huh?
I love to read aloud.
'Black Beauty,' by Anna Sewell, remains a star-dusted memory because my mom read it aloud to my sister and me at night for months. I was no more than 7.
You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud.
The thing I care about is my weight - I'm as fanatical about it as a member of Girls Aloud. I weigh myself every morning. I know exactly what I want to be - 82kg - and I try to stick to it.
In this country you can say aloud or publish just about anything you like.
An hour or two spent in writing from dictation, another hour or two in reading aloud, a little geography and a little history and a little physics made the day pass busily.
A. P. J. Abdul Kalam
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