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I played a lot of leaders, autocratic sorts; perhaps it was my Canadian accent.
I like to mumble when I act, 'cause I think it's more realistic. For some reason, the impediment has given me the accent of a Mexican gangster.
When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous.
Yum-O! I say this if something is so good that 'yum' just isn't enough of an exclamation. The accent is on the 'O' as in, 'Oh! That is so good!'
I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.
On my best day, I cannot do Scottish people. I don't even believe that's a real accent, to be honest with you. I think they probably sound like us when they're in the house. It's how they keep people away from them.
You know what? I'm really attracted to British women, there's something innately proper about them. However badly they behave their accent is so cute that it makes up for everything!
When you doubt one thing about yourself, you start thinking there's also something wrong with your hair, your body, your clothes, your accent.
I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.
I just wanted to be an ordinary, middle-class person. When I was at Cambridge, I made great efforts to lose the last remnants of my Cockney accent.
I think I'm going to keep my Irish accent forever now in any movie I make, because chicks dig it and that's all I care about now!
I have a corn creamer that I love. It extracts pulp and juice from kernels, and I simmer that down into a creamed corn that has an almost mashed potato-like consistency. I add butter and hit it with chopped fresh chives at the end for an accent of color.
I was actually born in New York. We lived there until I was three so I grew up watching Sesame Street and hearing the accent. You are a sponge at that age, soaking everything up.
As a novelist, there are three phone calls you never expect to receive in your lifetime because if you waited for them you would grow despairing - one calling from Stockholm with a Swedish accent, one from the NBA, and one from Oprah Winfrey.
I keep forgetting I'm speaking in an American accent sometimes. The dangerous thing is that you end up forgetting what your real accent is after a while! It's really strange; I've never done a job in an American accent before.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
When I was growing up, Forest Park was full of integrated families. It was amazing. One my best friends was Vietnamese. Another one was half-Mexican, half-black. Another one was from Colombia. Another one was born in the U.S., but his mom was from Germany and spoke with a German accent. So we all had multiple identities.
I love America. I eagerly became a citizen. I have no bitterness toward those casting directors who dismissed me because of my accent, nor toward the producers and directors who wanted to cast me but thought the audience wouldn't accept my accent. I think they're selling their audience short.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
I'll never forget when we played Shepherd's Bush in London. We played 'I Run To You', and we put the mic out for the last chorus, and you could hear them singing the chorus with the beautiful accent that they have.
They made me use an accent, which I wasn't thrilled about because a lot of us, obviously, don't have them.
I'm from the South, where if you walk down the street and there's somebody behind you talking with a Southern accent, you can't tell whether it's a black or a white person.
I often find during a day of shooting I will speak in an American accent all day long when I'm doing dialogue. At the end of the day, it often takes an effort when I'm talking to my fiancee to bring my English back just because you're so used to speaking that way.
I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.
Acting for me was hard enough without having to think of the accent. And also, when I was auditioning for stuff I would walk into the room with an Australian accent ,and I would do the audition in an American accent, and they would invariably say, 'Yeah, it's that good, but I can still hear the oddity coming through.'
John F. Kennedy
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